Sikandar

Storyline

Sikander is an action-packed emotional drama that follows the journey of Sanjay Rajkot, a beloved and powerful figure in Gujarat, played by Salman Khan. Known as "Sikander" by the people of his city, Sanjay is not just a leader—he’s a symbol of justice, compassion, and strength. His life seems perfect, especially with his loving wife Saisri (Rashmika Mandanna), a gifted painter who sees beauty in even the darkest corners of life. However, things take a tragic turn when a powerful politician's son, Arjun, tries to harm a woman onboard a flight. Sanjay steps in and makes Arjun apologize publicly, earning the wrath of Minister Rakesh Pradhan, Arjun’s father. A deadly vendetta begins. Back in Rajkot, while Sanjay and Saisri are celebrating her pregnancy, a bomb blast at Sanjay’s quarry shatters their world. Saisri dies, leaving Sanjay devastated. In a final act of kindness, her organs are donated to three strangers in Mumbai—a child named Kamar, a young woman Vaidehi, and a struggling patient Nisha. Haunted by grief but driven by purpose, Sanjay travels to Mumbai to ensure Saisri’s sacrifice wasn’t in vain. There, he discovers that Kamar suffers due to toxic pollution from a corrupt business tycoon, Vaidehi battles societal restrictions to launch her startup, and Nisha is being misled by the very doctors supposed to save her. Sanjay becomes their silent guardian, facing off against politicians, businessmen, and broken systems. Each life he touches brings him closer to healing his own wounds. Sikander is not just about revenge or action—it’s a heartfelt story about love, loss, and the power of selfless deeds. It’s a reminder that even after death, some people continue to change lives.

Screenshots

Comments

I caught Sikandar this evening with tempered expectations. Honestly, neither Salman Khan nor AR Murugadoss has been at the top of their game in recent years. While Murugadoss once showed promise with films like Sarkar, it’s been a while since he delivered something truly memorable. Sadly, Sikander isn’t the comeback they both needed. There are a few good ideas scattered throughout the film, but the overall execution feels rushed and uneven. I later read that the team was still filming into March to make the Eid release deadline, and it shows—especially in the VFX. One particular car explosion scene just before the interval was unintentionally funny, and the green screen work in several scenes was clearly off, with mismatched lighting that broke immersion. Salman seemed checked out, delivering his lines without any real energy or conviction. The performances felt like a table read rather than a finished film. His chemistry with Rashmika Mandanna was non-existent—she came across more like an employee than a romantic partner. Honestly, if someone had told me Sharman Joshi was his love interest, it might’ve made more sense. Even Satyaraj, a respected South actor, was wasted in a barely-there villain role. What frustrates me most about recent Bollywood trends is the growing reliance on gloss over depth—slick visuals trying to mask a weak script and underwhelming performances. Murugadoss had a lot riding on this project, but the writing and direction both fell flat. With another film lined up this year (Madharasi), he’s at a crossroads in his career. As for Salman, it feels like he’s just going through the motions now—reluctantly clinging to Eid releases that used to be surefire hits. But if Sikander is any indication, maybe it’s time for him to take a step back and rethink his choices.

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